《美麗的中國》的觀后感中英文版

　　《美麗中國》，感慨萬千，不得不為攝影師的獨(dú)特視角和中國博大的人文情懷所折服。下面是《美麗的中國》的觀后感中英文版，歡迎參考閱讀！

　　篇一：Wild China觀后感

　　Wild China

　　The last hidden world ----China.

　　After watching the video for the second time, I was still fascinated by the well-bedded terraces, endless steppes, beautiful mountains and etc. There is no doubt that this video is a completely outstanding documentary which reflects Chinese Human Geography. To be honest, as a Chinese, I feel ashamed that I have not seen the most sceneries in this video. Our country is so attractive that I can not wait to learn more about it.

　　In addition, when I was attracted by the beautiful scenery, I still thought about the development of our country. China has the largest population and the most ancient culture in the world, developing is the most important problem now. Land desertification, water resources crisis, more and more Industrial wastes, we need to face all those problems.

　　Although China has vast territory and abundant resources, we should take care of it. There are so many species have disappeared forever, what we can do is to do our best to protect them. I hope our country will be wild not only in the past but also in the future.

　　篇二：This is water觀后感

　　The Review Writing of《This is Water》

　　The author, David Foster Wallace, was considered by many to be one of the finest writers of his generation. He only gave one speech in public in all his life, in which he talked about his view of life. The speech happened in a commencement of Kenyon College in 2005. Now, the widely distributed video has been into a thin book, which name is “this is water”.

　　According to Wallace's view, the water was on behalf of the most obviously, the most important reality, but it was difficult to see or talk about; and “the same experience for different people may mean something completely different”, because everyone had a different “default settings” and a different way from the experience in the construction of meaning. Therefore, the ideal of liberal education was to make people out of this self center, learning to “how to think” and “thinking” control. Wallace then cut to the usual humor and plain philosophy from the contemporary urban life, pointing out the importance of maintaining vigilance and consciousness. At the same time, we should be free to choose the way of looking at things.

　　At the beginning of the speech, Wallace talked a story about the fish, and it is pointed out that “the most obvious, ubiquitous, important realities are often the hardest to see and talk about”. In our daily life, we tend to think that we are the absolute center of the natural, just like our default-setting. But most, we tend to automatically determine the thing, in fact, is completely wrong, even be fooled. Therefore in front of fact, we should learn to choose and think deeply. Then Wallace cited an example of the story of shopping in the supermarket. Just as our natural default-setting, we may think that traffic jams and crowded aisles and long checkout lines are pissed and miserable experience. When we think like this, we are operating on the automatic, unconscious belief that we are the center of the world, so that we feel the most boring and the most frustrating part in the adult world. However, if we changed our method of thinking, we may feel the difference of the things and make other choices. But doing like this is hard, needs will and mental effort. If we want to feel a meaningful and sacred experience instead of a crowed, loud, slow situation, the only thing we should do is to decide what to worship. We have the right to decided what to worship, but there are different kinds of freedom. The real freedom includes attention, and awareness, and displaying. In order to achieve this freedom, we should keep reminding ourselves “This is water” constantly. But it is hard to maintain awareness and activity in the adult world; we should keep study from now on.

　　As a famous saying said, life is not a lack of beauty, but the lack of eyes to find beauty. We should be good at discovering hidden in the things below the surfaceof things, it will open another world.

　　篇三：紀(jì)錄片《美麗中國》觀后感

　　《美麗中國》是表現(xiàn)中國野生動(dòng)植物和自然人文景觀的大型電視紀(jì)錄片，看過之后給了我深深的觸動(dòng)。紀(jì)錄片作為“以真實(shí)生活為創(chuàng)作素材，以真人真事為表現(xiàn)對象的電 影電視藝術(shù)形式” ，其手段在于對真實(shí)素材進(jìn)行藝術(shù)加工與展現(xiàn)，其目的在于以展現(xiàn)真實(shí)為 本質(zhì)，并用真實(shí)引發(fā)人們思考。但是，自然類紀(jì)錄片因?yàn)檩^少有人的參與，缺少人與人之間 一目了然的矛盾沖突和引人入勝的故事情節(jié)， 與社會(huì)類的紀(jì)錄片相比， 它更多地表現(xiàn)為單純 的獵奇與對真實(shí)鏡頭的捕捉，在思維品格上難以勝出。在紀(jì)錄片創(chuàng)作中，創(chuàng)作觀念是非常重 要的，創(chuàng)作者在拍攝紀(jì)錄片之前，先要對所表現(xiàn)的事物進(jìn)行思考。任何一部紀(jì)錄片都或多或 少地體現(xiàn)作者對藝術(shù)和生命的態(tài)度， 紀(jì)實(shí)的品格上升為思維的品格， 才能使創(chuàng)作進(jìn)入審美的 層次。 國際自然類電視節(jié)目主席帕薩`薩拉斯曾說： “自然類影片絕不只是動(dòng)物、樹和昆蟲等非 常近的鏡頭和放大鏡頭，還有被稱為自然精神的東西。也就是說拍攝自然類紀(jì)錄片，首先需 要攝制者對自然的熱愛和了解，要懂得珍愛生命、尊重生命。它需要一種人文精神，而絕不 只是為了追求感官刺激。 ”他同時(shí)還說： “現(xiàn)今社會(huì)強(qiáng)調(diào)的人文精神，并不是單純的指對人的 價(jià)值、人的個(gè)性、人的尊嚴(yán)、人的地位、人的發(fā)展與人的自由的關(guān)懷、看護(hù)和尊重，還有我 們所在的這個(gè)大自然，包括自然中的一切生命。人文精神就是一種關(guān)懷，真誠的對自然世界 的一種關(guān)懷。 ”

　　《美麗中國》是一部反映中國自然生態(tài)的紀(jì)錄片。由 BBC 環(huán)球公司與中國中視傳媒股 份有限公司聯(lián)合拍攝，英文名稱為”WILD CHINA” ，也有譯為《野性中國》《錦繡中華》， 歷時(shí)三年拍攝，共六集。與其說這是一部紀(jì)錄片，不如說它是一場視覺的盛宴。詩一般的畫 面、 伴之純粹大自然的聲音、 獨(dú)具中國氣質(zhì)的磅礴之聲相結(jié)合的美麗畫面都給我們帶來 了一種久違的震撼，強(qiáng)大的視覺沖擊力帶給我們的是全新的視聽完美享受。 然而，不僅如此，紀(jì)錄片《美麗中國》中更有一種陷于畫面和音樂背后的、厚實(shí)的濃濃 的情懷，一種博大警世的人文關(guān)懷流淌其中，它不僅給我一種視覺的震撼，更讓我有了對自 然的震撼與敬畏。