摘 要：《詩經(jīng)》和漢樂府詩中的愛情詩是我國文學(xué)寶庫中的兩朵奇葩，它們反映的內(nèi)容十分廣泛，大多來源于民間歌謠，都具有“感于哀樂，緣事而發(fā)”的現(xiàn)實(shí)主義精神。在很多方面，它們又呈現(xiàn)出各自的風(fēng)貌，具有相對獨(dú)立性。本文通過從《詩經(jīng)》與漢樂府中女性自身形象的不同特點(diǎn)、男女在愛情生活中所處地位的變化以及戀愛方式理性因素增強(qiáng)等方面進(jìn)行比較，再現(xiàn)了從《詩經(jīng)》時代到漢樂府時代，詩中女性形象的顯著性轉(zhuǎn)變，以及從詩經(jīng)時代到漢樂府時代中國婦女所經(jīng)歷的苦難歷程，同時也讓我們可以清晰地看到封建禮教在中國女性的愛情路上慢慢樹起了一道沉重的界碑。

　　關(guān)鍵詞：《詩經(jīng)》 漢樂府 愛情詩 女性形象

　　ABSTRACT

　　The love poems in 《The Book of Songs》 and "Folk-song-styled Poems of Han Dynasty " are two rare flowers of Chinese poem history。They are rich in contents and forms， most of them come from the folk rhyme，succeeding the realism tradition and the poems was conceived from heart and told business。In many way, the poems show their features relative independentability with relative independence。This paper will compare and contrast the female images in the context of the Book of songs and Han Yue Fu. It will examine different aspects of the relationships between men and women: the change of their position in love life and the tendency that the lovers are treating their romantic relationships with a more rational attitude, etc. This paper portraits the sufferings of the woman at the time of the Book of songs (from the beginning of the Western Zhou Dynasty to the mid Spring and Autumn Dynasty) and the time of the Han Yue Fu (Han Dynasty). The dramatic Change of the female images in the poetry will give us a clear clue of how the woman are suffered in their love life within the bounds of feudal ethical code in ancient China.

　　Key words Book of Songs Folk-song-styled Poems of Han Dynasty love poem

　　the image of women