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fame新世紀課文翻譯

其他類 時間:2021-08-31 手機版

  fame是聲譽的意思,聲譽常常是在明確強調“與他人對自己評價有關時”使用。下面是小編為大家整理的fame新世紀課文翻譯,歡迎閱讀。

  Fame

  聲譽

  Fame is very much like an animal chasing its own tail who, when he captures it, does not know what else to do but to continue chasing it. Fame and the exhilarating popularity that accompanies it, force the famous person to participate in his or her own destruction. Ironic isn't it?

  聲譽很像一只追逐自己尾巴的動物,抓住后除了繼續追逐不舍之外,再也沒有其他方法了。聲譽與隨之而來的令人興奮的贊揚迫著這位出了名的人走上自己的末路。這難道不令人啼笑皆非嗎?

  Those who gain fame most often gain it as a result of possessing a single talent or skill: singing, dancing, painting, or writing, etc. The successful performer develops a style that is marketed aggressively and gains some popularity, and it is this popularity that usually convinces the performer to continue performing in the same style, since that is what the public seems to want and to enjoy. But in time, the performer becomes bored singing the same songs in the same way year after year, or the painter becomes bored painting similar scenes or portraits, or the actor is tired of playing the same character repeatedly. The demand of the public holds the artist hostage to his or her own success, fame. If the artist attempts to change his or her style of writing or dancing or singing, etc., the audience may turn away and look to confer fleeting fickle fame on another and then, in time, on another, and so on and so on.

  在已經出了名的人們中間,絕大多數是因有一技之長,如唱歌、舞蹈、繪畫、寫作等等,而獲此聲譽的。這位成功的表演者展示出一種在市場上可以爭雄制勝的風格,因而獲得聲譽。而且也就是這種聲譽常使表演者確信必須把這種風格堅持下去,因為看來這正是大眾所需要和喜愛的。可是隨著時間之轉移,歌手年復一年地依老調唱老歌,畫師畫同樣的風景人物,演員反復重演同一角色,都會感到厭煩。為了維持自己的成功和聲譽,群眾的要求竟把這位藝術家如人質般束縛住了。如果這位藝術家企圖改變筆調、舞步、唱腔的話,聽眾觀眾就會舍他而去,把那飄忽不定的稱譽轉移給別人。隨后有轉移給另一人,這樣不停地轉來轉去。

  Who cannot recognize a Tennessee Williams play or a novel by John Updike or Ernest Hemingway or a poem by Robert Frost or W. H. Auden or T. S. Eliot? The same is true of painters like Monet, Renoir, Dali or Picasso and it is true of movie makers like Hitchcock, Fellini, Spielberg, Chen Kai-ge or Zhang Yimou. Their distinctive styles marked a significant change in the traditional forms and granted them fame and forturn, but they were not free to develop other styles or forms because their audience demanded of each of them what they originally presented. Hemingway cannot even now be confused with Henry James or anyone else, nor can Forst be confused with Yeats, etc. The unique forms each of them created, created them. No artist or performer can entirely escape the lure of fame and its promise of endless admiration and respect, but there is a heavy price one must pay for it.

  有哪個人會認識不出一本田納西·威廉斯的劇本、一本約翰·厄普代克或歐內斯特·海明威的小說,或羅伯特·弗羅斯特,或W.H奧登或T.S艾略特所寫的一首詩歌呢?畫家中,如莫奈、雷諾阿、達利或畢加索的畫,導演制片如希區科克、費利尼、斯皮爾伯格、陳凱歌、張藝謀等等的作品,不也正是這樣嗎?他們的獨特風格,迥異于一般傳統,給他們帶來美譽及財富。但他們不能自由地另創風格或形式。這是因為群眾向他們每個人所要求的正是他們原來所提供的一切。直到現在,海明威決不能與亨利·詹姆斯或其他任何人相混淆,弗羅斯特也決不能與葉芝相混淆,如此等等。他們每個人都創造了獨特風格。也創遣了他們自己。沒有一位藝術家或表演家能完全逃避榮譽的引誘,榮譽給他們帶來無窮的贊揚和崇敬,但他們要付出的代價也是靠常昂貴的。

  Fame brings celebrity and high regard from adoring and loyal fans in each field of endeavor and it is heady stuff. A performer can easily come to believe that he or she is as good as his or her press. But most people, most artists do not gain fame and fortune. What about those performers who fail, or anyone who fails? Curiously enough, failure often serves as its own reward for many people! It brings sympathy from others who are delighted not to be you, and it allows family and friends to lower their expectation of you so that you need not compete with those who have more talent and who secceed. And they find excuses and explanations for your inability to succeed and become famous: you are too sensitive, you are not interested in money, you are not interested in the power that fame brings and you are not interested in the loss of privacy it demands, etc. ---all excuses, but comforting to those who fail and those who pretend not to notice the failure.

  在每個領域里,出了名就會使一些虔敬的入迷者表示贊揚和尊崇,但這也是一種容易使人陶醉的東西。一位表演家糧容易相信自己的成就當真和報章輿論所說的一樣。可是大多數人,大多數藝人并沒有得到聲名財富。那些失敗的表現者又如何呢?其他任何一個失敗者又如何呢?真奇怪,對很多人來說,失敗也常常會起一種報償的作用!有些人慶幸自己不像你那樣地失敗,就會對你表示同情,你的親朋們也會降低對你的期望,使你不必去同那些才智勝于你而獲得成功的人們較量。他們會找借口解說你不成功不出名的原因,說什么:你太敏感了呀;你對金錢沒有興趣呀;你對聲名所能帶來的權力不感興趣呀;因為聲譽要使你喪失隱私權,因而你不感興趣呀,等等--這一些無非都是借口而已,但對失敗者或假裝不關心自己失敗的'人來說,都多少帶來一點安慰。

  History has amply proven that some failure for some people at certain times in their lives does indeed motivate them to strive even harder to succeed and to continue believing in themselves. Thomas Wolfe, the American novelist, had his first novel Look Homeward, Anger rejected 39 times before it was finally published and launched his career and created his fame. Beethoven overcame his tyrannical father and grudging acceptance as a musician to become the greatest, most famous musician in the world, and Pestalozzi, the famous Italian educator in the 19th century, failed at every job he ever had until he came upon the idea of teaching children and developing the fundamental theories to produce a new form of education. Thomas Edison was thrown out of school in fourth grade, at about age 10, because he seemed to the teacher to be quite dull and unruly. Many other cases may be found of people who failed and used the failure to motivate them to achieve, to succeed, and to become famous. But, unfortunately, for most people failure is the end of their struggle, not the beginning. There are few, if any, famous failures.


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